From my WINDFIELD installation series, I presented at the BIAN _ International Digital Arts Biennial, a new piece : MindWind. An interactive outdoor / architectural projection on the Bibliothèque et Archives Nationales du Québec. This plants microcosm growed and reacted in real time, depend on the traffic and urban noise surrounding the Bibliothèque.
WINDFIELDS IS A NEW INSTALLATION FOR 5 SCREENS
 + 5 AUDIO CHANNELS _ SOUNDFRAME FESTIVAL
 AUTRIA

 MAK MUSEUM – ÖSTERREICHISCHES MUSEUM FÃœR ANGEWANDTE KUNST
pictures ::: © MAK/Katrin Wißkirchen
For the next 6 months, I know I will have no long time periods to work on a new projects. I decided instead to use some day off to prepare and shoot little segments. Last week I was shooting one of them. I want to thank’x Eva, Steven, Pierre, Sophie, Sylvain and Jean-Marc helping me in this one day adventure.
Some pictures of the opening performance for F+W+M at the Mois-Multi13. Magali and me was very happy about our performance. After 3 years, that this project was start … It was finally the first time we can perform live on these 3 very sensitive devices.
Today was the last day of our Meduse residency. Snif ! Everything is set-up for our return next month for the festival Mois-Multi. Flesh+Wood+Metal Opening will be next february 15th. and the installation will be present until the end of the february. Magali and me want to thank’s warmly all the people who help us to make this happen. First, our parain that said, in 2010, spontaneously YES ::: Emile Morin. Also ::: Gaëtant Gosselin, Viviane Paradis, Jean-François Dion, Matéo Thébaudeau, Pierre-Olivier Fréchet-Martin, Anthony Ferey, Annie, Marie-Christine and all the mois Multi team.
After tranfering the capture data to Flesh, Wood and Metal. We start to work to construct our next performance. The idea of Flesh+Wood+Metal is _ beside the installations _ all these 3 devices can become very organic musical instruments. And for the opening of our installation at the festival Mois Multi (next february 15th), we will perform on these 3 very sensitive instruments.
After 4 days of set-up and tuning all the instruments. We went on the road to capture data from the proximal territory. January is a very cold month in Quebec, snow + ice and wind. With Mateo we went near the St-Laurent river to record the waves turbulences. This data will be the input that make reakt our WOOD device. For the METAL device, it will be the topology of the city that will control the magic harm in contact with the metal plate. And finally, for FLESH, We took fields recording between industrial and schools area. FLESH is a king of sensitive tympan that will diffuse these recordings in a very strong physical ondulations.
Finally, after 2 years waiting, We are here. At Meduse, Quebec city. For our residency. Magali and me with our 3 installation devices that we already designed and builted in Montreal last autumn. Now we are here to test in Situe in real situation with the territory data from the Topography, the River and the intimate sound of the Quebec city. We spend 3 days for the assemblage and bug fix before really start working with them.
Yesterday it was the opening of the festival transjourney media art festival in Taipei. It was a very official ceremony and well organisated. I was very honored to present Train Fragments with the Ju percussion Group.
After 26 hours of transit and flights and 12 hours sleeping in my hotel room, We start to experiment and try to find a musical and mood direction for Train Fragments. All the members from the Ju Percussion Group from Taipei was very open minded to find a specific approach for the piece. We will make the opening performance for the TRANSJOURNEY 2012 FUTURE MEDIA FESTIVAL, january 1st. We was also very happy to have a special guest that will perform with us ::: I have to admit that the First lady of Taiwan was talented with the ancient cymbals and the waterphone.
